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The latest video from Travesti Biológica affirms the need for self-respect, self-care, and empowerment.
The latest video from Travesti Biológica affirms the need for self-respect, self-care, and empowerment.
While the pope stood in front of cameras apologizing for Canada’s residential school system, religious media outlets continued a campaign of denialism.
Track 8 from Travesti Biológica features vocals from multidisciplinary artist Ivy Monteiro.
With enTR4V4, Mavi takes us on a voyeuristic tour of various bedrooms to an insistent four-on-the-(boudoir)-floor rhythm.
With spacey synths and a disco dance beat, “Treasure in My Mouth” is an intimate portrait of self-care and resistance.
The fifth video from the album Travesti Biológica celebrates the cultural turn when we claim terms that once were used to oppress.
Trained to be producers and consumers in a marketplace of literature, most writers don’t know how to be citizens of a polity. In the concluding essay of the Polity of Literature series the editor, Matthew Stadler, proposes an experiment to help us: The GOAT PoL (The Geopolitical Open Atlas of The Polity of Literature).
Like the act of pruning a plant, we hurt to trigger growth. In the scarring processes we heal our wounds of memory, of thought, of soul.
In the midst of a lockdown, Simon(e) van Saarloos questions their relationship to time, to dreams, to public space, and to the sexuality of voles.
Travis Ray ComesLast committed a terrible crime, but what should happen next? Stories of injury and stories of repair involve us all. We must tell and receive these stories collectively.
A Rotterdam activist tells the story of his neighbourhood’s recent effort to make its own reading room after the local library branch closed.
In Berlin, writer and philosopher Fred Dewey created a functioning polity of literature by inviting small groups of strangers to meet, discuss, and read out loud from Hannah Arendt’s The Human Condition.