i am hugo or huga (no pronouns / they / them), identifying myself as queer, trans- & beyond-the-binary. i was born (in 1989) and raised in (the land colonially known
A Mexican-American lawyer and human rights activist examines symbolism and meaning in two works of public art that reflect the struggles of life and maleffects of migration policies on the borderlands.
Artist Eryk Salvaggio presents a personal history of algorithmic resistance in the creative arts, while revealing the shortcomings of A.I. tools and development.
Over at The GOAT PoL, our nine Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing a dozen or more of their original stories every week.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
The formative theorists in Kim TallBear’s life are not just humans; they are also the landscapes and waterscapes of the places she inhabits. She writes how this is especially important for Peoples who are formed co-constitutively with place. Read on to see how she relates this to non-monogamy.
In this letter to Kim Tallbear, Simon(e) van Saarloos explores non-monogamy’s connection to place, examining the relationship between time, failure, and expertise.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Watch artist and educator Eryk Salvaggio’s 20-minute animated “documanifesto” about AI art.
Over at The GOAT PoL, our nine Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
