The short animated film El Héroe Senegalés is an intimate portrait of Mouhammed Diof, an undocumented Senegalese migrant living in Bilbao, who leapt into a river to save someone from drowning and catalyzed a political movement.
Wanting to help “refugees,” we tell stories of distant disasters and flight and rescue. But what stories do people on the move tell?
Karima Qias was seventeen years old when her family arrived at the Moria refugee camp, on Lesvos Island, Greece. She knew immediately that they had to get out to survive, and this is how they did it.
An exploration of locally sourced, plant-based, health care among Dominican women living in Puerto Rico.
In the spring of 2020, as the Covid-19 pandemic swept across the planet, refugees and humanitarian aid workers raised alarms that if the virus spread to the camps it would wreak devastating consequences on one of the world’s most vulnerable populations.
The fascist, nationalist agenda that cost so many lives in the last century should have been discarded and buried in the 21st century, yet it persists within the very fabric of the UK’s society.
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
A book-length poem that parodies the form of a corporate/governmental prospectus—complete with opportunity statement, deliverables, and budget—all while exposing their smooth rhetoric, exploitative intentions, and empty promises.
In the inaccessible borderlands of Badakhshan, Tajikistan, the M41 or “Heroin Highway” serves as the primary trafficking route for opium and heroin smuggled out of Afghanistan on its way to Russia and Europe, leaving a trail of uneven development and outward migration.
[roundtable_menu] [contributor]Diana Ramarohetra[excerpt][Artist residencies] help the artist to grow, to not feel alone, and to become more convinced of their chosen vocation and role in the society. Unfortunately, this is
This is chapter two of three. For the first chapter in the series, please click here. For the third chapter in the series, please click here. Foreign Postcards: A Series of
I drag you with me: ancestry and contemporary practice (a conversation between Raphael Daibert and Edgar Calel) Edgar Calel came to São Paulo for a three-month residency that extended to