One hot summer day a group of passionate friends and family congregate at Jersey city hall to protect a historic landmark for the House/Ball community, and America at large.
Watch artist and educator Eryk Salvaggio’s 20-minute animated “documanifesto” about AI art.
An interview with Derrais Carter about Black Revelry, a collection of ekphrastic writing describing Ernie Barnes’ iconic painting, The Sugar Shack.
The term “Yiddish art” could imply essentialist and contentious geopolitical and identitarian meanings of Yiddishness. Instead, Suzana Milevska asks if the Yiddishland Pavilion at the 57th Venice Biennale is one way to embrace the diversity that a diaspora brings to art, culture, and identity.
The solidarity and affection of independent publishing networks As a child, I remember desperately wanting a journal with a magnetic seal like my friends had at the time. Our family’s
The origins of “pato” in Queer Boricua lexicon.
How can a piece of writing build trust across continents, cultures, and contexts? We find out in these parallel reflections between two writers.
Yiddish anarchism meets augmented reality, Lettriste painting and Parisian squats, molten tanks and iron flags, and the praxis of hospitality.
Track 8 from Travesti Biológica features vocals from multidisciplinary artist Ivy Monteiro.
With enTR4V4, Mavi takes us on a voyeuristic tour of various bedrooms to an insistent four-on-the-(boudoir)-floor rhythm.
With spacey synths and a disco dance beat, “Treasure in My Mouth” is an intimate portrait of self-care and resistance.
When a translator borrowed the term “gender” from English, the Bulgarian conservative right found a new word to weaponize.
