
mistake
I believe that it is logically impossible / to have a mistake in nature
I believe that it is logically impossible / to have a mistake in nature
The revolution is strong, its path is slow and its end is the same as that of a tree: to give oneself, be it in the form of shade or fruit, and to fight against the chainsaws that decapitate rooted bodies.
Weaver, archivist, and textile artist Jagdeep Raina embroiders tapestries that depict the South Asian diaspora through his vivid interpretations of archival imagery.
telluric dreaming is dreaming of, with, and in the earth. they say that to tremble, to let ourselves vibrate, is to co-regulate the body’s frequencies with the earth’s breathing. it is listening to ourselves: the body in relation.
Victor Terán has long used poetry to preserve Zapotec language, but as wind farms envelop his hometown of Juchitán, his words have become weapons of resistance to post-colonial development that threatens the future of Zapotec culture.
Rafael Mayoral recalls spending the idylls of his youth in Salina Cruz and the three development projects that ultimately devastated the gritty port city and left fallow farmlands, water shortages, and urban poverty in their wake.
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
In the resource rich jungles of Myanmar’s Kachin State, young Kachin students living in internally displaced people’s camps, traumatized by a sixty-year war, are exorcising their psychological demons and preserving their culture through painting and poetry.
Towards Braiding, a book available here as a PDF and the accompanying program of artist residencies, gatherings, workshops, and other forms of engagement are part of a learning journey that
In the wake of the 2010 Yushu earthquake, celebrated Indonesian artist, Arahmaiani, spent ten years working with Buddhist monks on the Qinghai-Tibetan Plateau to cultivate sustainable rebuilding projects and amplify the voices of women in Tibetan civil discourse.
Land Art as a Platform for Interaction By Una Rebić and Metod Blejec Look, I’m not gonna tell you what I’m up to, but I’ll say this, what I’m interested
Five episodes of a story conceived and written as if it were the script of a film for which the five members of Lu Cafausu are the collective director.