A Zapotec activist from Juchitán, Oaxaca is organizing an indigenous resistance movement to combat violent land appropriation for wind farms and extractive development projects while facing threats to his life.
Protecting the forest is a responsibility that is not only of the Indigenous peoples, not only of the Huni Kui people. Protecting the forest, protecting biodiversity, is a responsibility of all of humanity.
A polity of literature can assemble in myriad ways and places. American artist and writer, Anne Focke, considers two examples: the “parallel polis” of 20th-century Czech resistance to Soviet domination; and a practice called “the dynamics of difference,” rooted in the work of Native American tribes in the Humboldt Bay area of California.
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Text by Claudia Rosas Rio Translated by Dani d’Emilia Images by Gio Leal Editor’s Note This is a story of a collaboration between two women’s organizations in the Mexican state
Towards Braiding, a book available here as a PDF and the accompanying program of artist residencies, gatherings, workshops, and other forms of engagement are part of a learning journey that
Artists: Jonathas de Andrade (Brasil), Pilar Quinteros, (Chile), David Guarnizo, (Colombia), Christian Salablanca (Costa Rica), María José Argenzio, (Ecuador), Karina Aguilera Skvirsky, (Ecuador), Angélica Alomoto (Ecuador), Rometti Costales (Francia &
Poetry that attempts to create moments of understanding, connection, and healing for Indigenous People.
I have been thinking about what it means to be a racialized person in the arts, and what kinds of tactics and strategies we’ve developed to move through these spaces.
A book-length poem that parodies the form of a corporate/governmental prospectus—complete with opportunity statement, deliverables, and budget—all while exposing their smooth rhetoric, exploitative intentions, and empty promises.