Kim TallBear writes an update on her post-Covid palate for food, drink, sex, and conversation, and opens her tattered copy of Simon(e)’s book for some inspired remote discourse.
Travis Ray ComesLast committed a terrible crime, but what should happen next? Stories of injury and stories of repair involve us all. We must tell and receive these stories collectively.
Plants and resilient Indigenous people on the walls spoke to me. I listened to them. I still try to silence myself to learn more from them. This was my first primer on how to rise as an Indigenous person and ‘bleed the stone’, transforming bodies (human and non-human) towards life and liberation.
A Zapotec activist from Juchitán, Oaxaca is organizing an indigenous resistance movement to combat violent land appropriation for wind farms and extractive development projects while facing threats to his life.
Protecting the forest is a responsibility that is not only of the Indigenous peoples, not only of the Huni Kui people. Protecting the forest, protecting biodiversity, is a responsibility of all of humanity.
A polity of literature can assemble in myriad ways and places. American artist and writer, Anne Focke, considers two examples: the “parallel polis” of 20th-century Czech resistance to Soviet domination; and a practice called “the dynamics of difference,” rooted in the work of Native American tribes in the Humboldt Bay area of California.
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Participants of the Primary Colours/Couleurs primaires (PC/Cp) 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories
Text by Claudia Rosas Rio Translated by Dani d’Emilia Images by Gio Leal Editor’s Note This is a story of a collaboration between two women’s organizations in the Mexican state
Towards Braiding, a book available here as a PDF and the accompanying program of artist residencies, gatherings, workshops, and other forms of engagement are part of a learning journey that
Artists: Jonathas de Andrade (Brasil), Pilar Quinteros, (Chile), David Guarnizo, (Colombia), Christian Salablanca (Costa Rica), María José Argenzio, (Ecuador), Karina Aguilera Skvirsky, (Ecuador), Angélica Alomoto (Ecuador), Rometti Costales (Francia &