A Mexican-American lawyer and human rights activist examines symbolism and meaning in two works of public art that reflect the struggles of life and maleffects of migration policies on the borderlands.
Showcasing street artists from the U.S.-Mexico borderlands and Latin America whose work emphasizes artistic responses to social and political crises.
A borderlands historian reflects on the work of border artists to understand how their art activates memory in a place where the educational system, media, popular culture, and the political system work vigorously to suppresses memories and history.
Over at The GOAT PoL, our nine Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing a dozen or more of their original stories every week.
Artist Kadija de Paula unsettles breastmilk as a central part of naturalized reproduction, instead inviting a multiplicity of bodies with mammary glands to make milk.
A long-awaited family reunion at Topaz, a World War II Japanese internment camp in remote Utah, reanimates a swell of memories from the past.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our nine Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) continue to work with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every
A three-part artistic investigation into the occupation and dissolution of Tamil holy sites in Sri Lanka.
