The guidelines of the prompt were very simple. Stories had to be set in a city in the distant future (i.e. in or near the year 2099), be 1,000 words
In the wake of the 2010 Yushu earthquake, celebrated Indonesian artist, Arahmaiani, spent ten years working with Buddhist monks on the Qinghai-Tibetan Plateau to cultivate sustainable rebuilding projects and amplify the voices of women in Tibetan civil discourse.
What do a conceptual longhouse, an ephemeral dining pavilion, an opera singer in the woods and a photographer in a river all have in common? They’re all rare sitings. Over