Gráfica Libre: Exhibition Review
Showcasing street artists from the U.S.-Mexico borderlands and Latin America whose work emphasizes artistic responses to social and political crises.
Showcasing street artists from the U.S.-Mexico borderlands and Latin America whose work emphasizes artistic responses to social and political crises.
A documentary film shot near the headwaters of the Naryn in the Kyrgyz mountains that follows a school teacher and a park ranger whose existence is intertwined with the river.
A long-awaited family reunion at Topaz, a World War II Japanese internment camp in remote Utah, reanimates a swell of memories from the past.
Cross-border reflections from the Six Counties to La Frontera.
A three-part artistic investigation into the occupation and dissolution of Tamil holy sites in Sri Lanka.
Por Las Tias de la Trenza
An annotated timeline of the Zapatista’s 30-year trajectory of resistance and re-existence.
Capturing the dreams carried by migrants across the border and the detritus abandoned in the Mexican desert.
A graphic work of reportage from Bidi Bidi Refugee Settlement, West Nile, Uganda.
Reflections from a roadside cemetery.
The dense and layered sociocultural fabric of West Oakland – a fascinating mix of the sub/urban, industrial, and historic – has faded from public recollection yet retains a character that persists despite the dispossession the neighborhood has endured for decades.
The short animated film El Héroe Senegalés is an intimate portrait of Mouhammed Diof, an undocumented Senegalese migrant living in Bilbao, who leapt into a river to save someone from drowning and catalyzed a political movement.
