we are mystery and matter in motion
This set of exercises is an invitation to dance with the unknown; with the mystery inside you, and between you and everything.
This set of exercises is an invitation to dance with the unknown; with the mystery inside you, and between you and everything.
i am hugo or huga (no pronouns / they / them), identifying myself as queer, trans- & beyond-the-binary. i was born (in 1989) and raised in (the land colonially known
Showcasing street artists from the U.S.-Mexico borderlands and Latin America whose work emphasizes artistic responses to social and political crises.
The formative theorists in Kim TallBear’s life are not just humans; they are also the landscapes and waterscapes of the places she inhabits. She writes how this is especially important for Peoples who are formed co-constitutively with place. Read on to see how she relates this to non-monogamy.
At the Decolonial Frequencies Festival, sonic utopias resonate outside the institutions.
Charles’ farcical, archaic coronation provides fresh opportunity for an overhaul of monarchy and class in the failing days of the empire.
People of Flour, Salt, and Water is the second film made by Chto Delat as part of their series “Slow Orientation in Zapatismo.”
Journalist and activist Christian Peverieri writes about his experience of community-embeddedness at Free Home University with Casa delle Agriculture.
An annotated timeline of the Zapatista’s 30-year trajectory of resistance and re-existence.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
Thousands take to the streets of Maputo to celebrate the life and lyrics of Azagaia, one of Mozambique’s most beloved cultural icons.
Episodes 3 & 4 of the Las Venas documentary film series from Veracruz, Mexico.
