Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Must the artist struggle in order to create works that move the culture? Writer Ricky Tucker explores this question with Charly Dominguez, NYC artist and Ballroom community organizer.
People of Flour, Salt, and Water is the second film made by Chto Delat as part of their series “Slow Orientation in Zapatismo.”
An introduction to the book and learning process: Chto Delat and Free Home University in resonance with Zapatismo
ArtsEverywhere editor, Sidd Joag, joins Free Home University in the summer of 2019 for the making of People of Flour, Salt, and Water.
An interview with Derrais Carter about Black Revelry, a collection of ekphrastic writing describing Ernie Barnes’ iconic painting, The Sugar Shack.
Journalist and activist Christian Peverieri writes about his experience of community-embeddedness at Free Home University with Casa delle Agriculture.
An annotated timeline of the Zapatista’s 30-year trajectory of resistance and re-existence.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
The term “Yiddish art” could imply essentialist and contentious geopolitical and identitarian meanings of Yiddishness. Instead, Suzana Milevska asks if the Yiddishland Pavilion at the 57th Venice Biennale is one way to embrace the diversity that a diaspora brings to art, culture, and identity.
On the far southern coast of Oaxaca, the indigenous Ikoots people struggle to maintain their cultural identity and communal practices while fending off the pervasive forces of extractive capitalism.
