Naming a program “Queer City” is an occasion to both admit that we don’t define “queer” or imagine that it means only one thing and to openly ask what a queer urban future might look/feel like? Jose Esteban Muñoz begins his book, Cruising Utopia: The Then and There of Queer Futurity (2009), with these words: “Queerness is an aspiration toward the future. To be queer is to imagine better possible futures.”
Queerness is a broad term, one that can certainly be linked to a range of LGBT+ politics and realities, as well as histories, futures and places. For our purposes, “Queer City” opens a discussion on how we live and work in, share and survive the contemporary city, with São Paulo as our outlook. We are therefore equally interested in acknowledging common ground and understanding counter narratives. In “Queer Ecology: Nature, Sexuality and Heterotopic Alliances,”Matthew Gandy shares the view of architectural historian Aaron Betsky that the “queer space is ‘a space of difference’, an arena of doubt, self-criticism, and “the possibility of liberation.”
This makes sense for a program that came out of a partnership between Lanchonete.org and Musagetes, via its ArtsEverywhere online platform.
Lanchonete.org is an artist-led cultural platform that gets its name from the ubiquitous lunch counters — convivial, fluorescent-lit, open-walled, laborious, points of commerce — that populate almost every street corner. There are approximately 30 people who participate in Lanchonete.org — artists, architects, urban planners, professors, students, activists, members of the housing movement, gardeners, journalists, etc. — and it is still growing.
Musagetes is a Canadian philanthropic organization that works in cities globally to make the arts more central and meaningful in peoples’ lives and their communities. It does this by developing artistic projects and platforms in which to experiment with how the arts relate to and critique the world around us. This website — ArtsEverywhere.ca — is one form of Musagetes’ work.
Lanchonete.org and Musagetes relate to French philosopher and sociologist Henri Lefebvre’s “Right to the City,” or one that asserts, in his own words, a “ . . . demand [for] a transformed and renewed access to urban life.” We want people from all walks of life to feel comfortable participating in Queer City.
Here’s how Queer City came to be:
In November 2015, Lanchonete.org and Musagetes planned a weeklong series of activities in collaboration with the 23rd annual Mix Brasil Festival to provoke an open discussion focused on the relationship between queerness and life in the contemporary city. The idea was to make a program of activities focused on the relationship between queerness and life in the contemporary city, including a film screening, a panel, a walk in the city centre, and an open discussion.
Carlos Motta (Colombia) and Maya Mikdashi (Lebanon) screened their short film collaboration, Deseos, which exposes ways by which medicine, law and religion shape discourses of the gendered body. After the screening, they were joined in a panel discussion by Ezio Rosa, the art-educator and author behind Bicha Nagô, who added his experiences on living and making work in the periphery of São Paulo. And finally, on Saturday, November 21st, there was a walk in the Center of São Paulo, led by the actor Paulo Goya and Thiago Carrapatoso (with the participation of the São Paulo Network of Heritage Education [Repep]), with the goal of remembering the queer history of the area through the personal account of a longtime denizen. We ended the walk at Ponto Aurora and had an open discussion about the future of the idea. From there, a year-long program began to take shape. During the 2016 program, we will continue to engage those with whom we share the city — queer people and their allies.
One of the projects within Queer City is called “Janta: Queer Food/Queer Politics”, a monthly dinner at the home of Paulo Goya, Casarão do Belvedere. After leading the walk last November — and seeing how much interest there is in ‘remembering’ the city’s queer history together while taking part in its future — he and Thiago Carrapatoso proposed a regular dinner to do just that. En brev, the idea of Janta is ‘being at home’ with a community and enjoying each other’s company over good food . . . and fierce debate! Janta serves as a trampoline for a range of projects of all sizes within the Queer City initiative.
By the end of the program, we believe that using a lens of queerness will have encouraged fruitful discussions and joint interrogation of how we share the city. In fact, The Queer City Reader, a collaboration with Publication Studio São Paulo and .Aurora will attempt to contextualize these discussions in relation to queer thought from all over the world. The reader will be released in March 2017. Additionally our crossbeam activities help to inform the Queer City initiative and vice versa. These activities include hosting a Haitian photojournalist to document the growing Haitian diaspora community in Brasil; hosting Zimbabwean artist, Lucia Nhamo who received the Bamako Encounters jury prize (awarded to a female artist whose work broadens and/or challenges perspectives on contemporary African migrations) of a two-month residency to look at older and newer African migrations in Salvador and São Paulo, respectively; hosting Edgar Calel, an indigenous (Mayan) Guatemalan artist in collaboration with Lastro Arte and the Cultural Center at São João Occupation.
Curated by Shawn Van Sluys & Todd Lanier Lester
Compelled by the Ephemeral and Fleeting
Black queerness, self-care, and the lure of the ephemeral.
To Walk Amidst Collapse
Remembering Marielle Franco, a Black lesbian politician and activist who was murdered in Rio de Janeiro.
Feeling the Vibration of the Periphery
Space and time, rhythms and vibrations: creating space for bodies to be together, particularly LGBTQI people of colour.
Friendship as Activism (Amizade como ativismo)
Queer Black artists from London, Toronto, and São Paulo talk about their community-based artistic practices.
Cruising Quito: Notes on Grindr, Queer Codes, and Post-AIDS
An experiential reflection on the different spaces and technologies of analog and digital gay cruising in Quito, Ecuador.
SOY PAISAJE (I AM LANDSCAPE)
An exhibition on the use of artistic expression as a strategy to alter historical markers of LGBTIQ+ representation in the city.
Cidade Queer // Queer City: a documentary film
Through conversations, dinners, walks, and Ball performances, a city discusses how we live, work, share and survive different LGBT+ stories and realities.
Dissident Geographies: São Paulo, Athens, and Beyond
Who would be a good queer citizen? Imagining a city, otherwise, through queer performance.
Can a mestizo asshole speak?
A collection of essays, artistic contributions, and two inserted zines, Queer City, a reader was developed as part of an 18-month inquiry in São Paulo. Initiated by Lanchonete.org and ArtsEverywhere/Musagetes, the
Looking for Lesbians
A collection of essays, artistic contributions, and two inserted zines, Queer City, a reader was developed as part of an 18-month inquiry in São Paulo. Initiated by Lanchonete.org and ArtsEverywhere/Musagetes,
![The Enjoyment of the Pariah: Technologies to exist at the margins [of the State]](https://www.artseverywhere.ca/wp-content/uploads/2017/03/Duran_Sao_Paulo_Web.jpeg)
The Enjoyment of the Pariah: Technologies to exist at the margins [of the State]
A collection of essays, artistic contributions, and two inserted zines, Queer City, a reader was developed as part of an 18-month inquiry in São Paulo. Initiated by Lanchonete.org and ArtsEverywhere/Musagetes,
Janta—Comida Queer, Política Queer: Notes on a Methodology
Paulo Goya and I met in 2014 during some events that I organized at City Hall to discuss urban public policies that affect the center of the city and its
Cultivating Rhizomatic Space
The intimate process of portrait-making in pop-up studios is like creating a queer temporal family.
We Liked the Way He Moved: A Presentation at the International AIDS Conference
Durban, South Africa, July 16, 2016 This year, London-based artist, archivist, and curator Ajamu and New York and Los Angeles-based artist, educator, and organizer Pato Hebert collaborated on a series of activities at the
An Archive Is A Place Where Things Go to Live
What is the role that memory, creativity, and storytelling played in the formation of queer communities during the time of AIDS?
In the Shadow of an Epidemic
A review of Sarah Schulman’s The Gentrification of the Mind: Witness to a Lost Generation I came out to my friends as an impulsive, drain-chain-wearing sixteen-year-old. I knew little about the
Learning from Queerness
The etymology of the word queer traces its origin to that which is oblique, unusual, and out of the ordinary. It suggests an alternative to the status quo. Another way
What Does a Queer Urban Future Look Like?
[roundtable_menu] [contributor]Ella Boureau, New York City [excerpt]I am mourning a second self, a sibling with ancestral knowledge whose presence I can only verify through absence. [/excerpt] [/contributor] [contributor]Thiago Carrapatoso, São
A Queer Walk in a Queer City
São Paulo is a remarkable city, and its center has a strong history of being a refuge for the LGBT+ community despite mainstream Brazilian culture’s bias toward being extremely patriarchal
Sex of the Oppressed
Sex of the Oppressed was first published in Russian by the Marxist Free Press (2013). What follows is the author’s Foreword to the book. The English translation by Jonathan Brooks
