
Staff Picks From the GOAT PoL #4
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Memories from the first days of Bidi Bidi Refugee Settlement.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Must the artist struggle in order to create works that move the culture? Writer Ricky Tucker explores this question with Charly Dominguez, NYC artist and Ballroom community organizer.
Episode 4 of an ethnographic docuseries from Tibetan Yunnan that explores the decisions communities face when modern development and environmental fragility converge.
An homage to a young revolutionary who continues to fight for the democratic future of Myanmar from rebel lands.
People of Flour, Salt, and Water is the second film made by Chto Delat as part of their series “Slow Orientation in Zapatismo.”
An introduction to the book and learning process: Chto Delat and Free Home University in resonance with Zapatismo
ArtsEverywhere editor, Sidd Joag, joins Free Home University in the summer of 2019 for the making of People of Flour, Salt, and Water.
An interview with Derrais Carter about Black Revelry, a collection of ekphrastic writing describing Ernie Barnes’ iconic painting, The Sugar Shack.
The film director’s remarks on the guiding principles used to create recent films by Russian art collective Chto Delat.
Journalist and activist Christian Peverieri writes about his experience of community-embeddedness at Free Home University with Casa delle Agriculture.