The third edition of GSG Magazine explores the contemporary use of historical narratives and cultural artifacts, and the ideology of heritage and cultural (re)production to reveal and resist forms of inequality and violence.
When a translator borrowed the term “gender” from English, the Bulgarian conservative right found a new word to weaponize.
Perceiving myself as a part of a biome means being aware that there is a scene full of human and non-human bodies, that wrapped in sunlight and moon sap, transmute the ways of catching the eye, the flesh, and the destructive future.
Reflections on the 50th anniversary of Bloody Sunday.
Soon after the ban on public gatherings was lifted in China, Zhao Rongjie traveled to the capital of Sichuan Province to display two years of silkworm cocoon installations, mushroom spore prints, and embroidered silk tapestries.
The fifth video from the album Travesti Biológica celebrates the cultural turn when we claim terms that once were used to oppress.
The dense and layered sociocultural fabric of West Oakland – a fascinating mix of the sub/urban, industrial, and historic – has faded from public recollection yet retains a character that persists despite the dispossession the neighborhood has endured for decades.
For its first destination the Nomadic Pigment Lab travels to La Barbacoa, Dominican Republic to collaborate with artist and botanical enthusiast Eliazar Ortiz, working with natural pigments to create a unique language of sigils.
In my arteries the roots from the inside are inscribed in the body: I project the roots outward, and thus I pour my humanity.
This propulsive anthem acts as the title track to Mavi Veloso’s album, and asserts Mavi’s identity as a woman…and a real bitch too.
The story of a 150-year-old apartment building in Lodz, Poland.
Shterna Goldbloom presents two series of photographs that make visible queer Yiddish life and the weekly ritual of Shabbos.