We Are All Musicians
We Are All Musicians is dedicated to making music accessible to everyone. A documentary film tracks the participants’ experience over two years.
As a form of musical practice, improvisation embodies real-time creative decision-making, risk-taking, and collaboration. Musical improvisation can be considered not simply as a musical form, but, perhaps more urgently, as a complex social phenomenon that mediates transcultural inter-artistic exchanges that produce new conceptions of identity, community, history, and the body. The International Institute for Critical Studies in Improvisation is a central source for the collection and dissemination of research on the social implications of improvisational practices. The Institute’s mandate is to create positive social change through the confluence of improvisational arts, innovative scholarship, and collaborative action.
We Are All Musicians is dedicated to making music accessible to everyone. A documentary film tracks the participants’ experience over two years.
A book-length poem that parodies the form of a corporate/governmental prospectus—complete with opportunity statement, deliverables, and budget—all while exposing their smooth rhetoric, exploitative intentions, and empty promises.
Jump to French In the summer of 2016, the International Institute for Critical Studies in Improvisation (IICSI), with support from the Musagetes Foundation and the Chawkers Foundation, mounted the inaugural
The following is an excerpt from Ajay Heble’s Introduction to Classroom Action: Human Rights, Critical Activism, and Community-Based Education, a book (edited by Heble, with chapters by his former students)
Deep Listening at the End of the World[1] I’m sitting beside the ocean at the end of the world singing with a wave. A rhythmic low whoosh, and a building
The following text is excerpted from Lê Quan Ninh’s book, Improvising Freely: The ABCs of an Experience, translated from the French by Karen Houle with assistance from Pegleess Barrios & Melissa
