Introduction Over the past few years, artworks that touch upon painful histories have sparked heated controversies. While the artists behind such works have invariably had a social purpose and sought
[roundtable_menu] [contributor]Stephanie Bailey & Mark Woytiuk[excerpt]They ask questions that persist: How do we commemorate the victims of ongoing, systemic forms of misogynistic violence? How do we begin to work against
[roundtable_menu] [contributor]Arquitectura Expandida[excerpt]Ideally, we seek a collective relationship between institution, artist, and community, with the relationship understood as the confirmation of a provisional organizational structure based on dialogue and a
[roundtable_menu] [contributor]Diana Ramarohetra[excerpt][Artist residencies] help the artist to grow, to not feel alone, and to become more convinced of their chosen vocation and role in the society. Unfortunately, this is
[roundtable_menu][contributor]Kira Simon-Kennedy[excerpt]Independent art spaces and cafes that wouldn’t be out of place in Copenhagen or Tokyo popped up in Beijing’s dusty gray hutong alleyways.[/excerpt][/contributor] [contributor]Azu Nwagbogu[excerpt]Africa has been historically expropriated;
[roundtable_menu] [contributor]Aishah Shahida Simmons[excerpt]In the past, I, too, was extremely resistant to integrating spirituality into activist work for fear that it would dilute the “real” issues at hand.[/excerpt] [/contributor] [contributor]Akwaeke
[roundtable_menu] [contributor]Shuyin Wu [excerpt]As a result, every year 90 thousand natural villages disappear, including yao-dong villages.[/excerpt] [/contributor] [contributor]Lucie Kroening & Victor Seguela, Paris [excerpt]The contradiction embodied in the word banga
[roundtable_menu] [contributor]James Bridle, Athens [excerpt]Seamless Transitions is a story of borders that are mute and invisible. They are not supposed to be seen or heard.[/excerpt] [/contributor] [contributor]draftworks* architects, Nicosia &
[roundtable_menu] [contributor]Fernando García-Dory, Madrid & Majorca[excerpt]A real sharing economy is not something necessarily to place in a utopian world or a distant future. It is happening here and now. [/excerpt] [/contributor]
[roundtable_menu] [contributor]Juan Carlos Arroyo, Bogotá [excerpt]What survives in the act of resistance to a hospital closure is an ideal of human care, a concept of health and selfless humanitarianism that
[roundtable_menu] [contributor]Ella Boureau, New York City [excerpt]I am mourning a second self, a sibling with ancestral knowledge whose presence I can only verify through absence. [/excerpt] [/contributor] [contributor]Thiago Carrapatoso, São
