Thirty-two years after Willem de Kooning’s Woman-Ochre was stolen from the University of Arizona Museum of Art, it was discovered in the bedroom of a deceased woman in rural New Mexico. Only the painting knows how it got there.
A Palestinian girl growing up in suburban Ohio is proud to receive an A- on her 9th grade genocide report. Later, grown up, she asks Can a fact be sad? I wish to know.
Six encounters at six social distances, told incrementally through prose and needle painting.
Confined to a 9×10 foot bedroom in Ottawa, an artist creates reflects on the visible and invisible connectivity between the material and ephemeral.
Read this prize-winning short story about an imagined Jakarta in the year 2099.
400 Years of Inequality is a diverse coalition of organizations and individuals calling on everyone — families, friends, communities, institutions — to plan their own solemn observance of the anniversary
Poetry that attempts to create moments of understanding, connection, and healing for Indigenous People.
A book-length poem that parodies the form of a corporate/governmental prospectus—complete with opportunity statement, deliverables, and budget—all while exposing their smooth rhetoric, exploitative intentions, and empty promises.
Five episodes of a story conceived and written as if it were the script of a film for which the five members of Lu Cafausu are the collective director.
Editor’s Note: Colten Boushie was a 22-year-old Indigenous man from Red Pheasant Cree Nation, Treaty Six Territory, in the place we now call Canada. On August 9, 2016, Colten was
The Eastern Comma Writer-in-Residence program, co-presented by Musagetes and rare Charitable Research Reserve, hosted Janet Rogers as the 2017 writer-in-residence. Every autumn, Eastern Comma hosts accomplished Canadian literary writers within
