
Encountering Pseudo-Territory
Yiddish anarchism meets augmented reality, Lettriste painting and Parisian squats, molten tanks and iron flags, and the praxis of hospitality.
Yiddish anarchism meets augmented reality, Lettriste painting and Parisian squats, molten tanks and iron flags, and the praxis of hospitality.
The voices of the ghosts that are trapped in this soil blow through my ears as vibrations. Little by little, I prepare myself to be other matter by colliding with other bodies.
For its first destination the Nomadic Pigment Lab travels to La Barbacoa, Dominican Republic to collaborate with artist and botanical enthusiast Eliazar Ortiz, working with natural pigments to create a unique language of sigils.
The short animated film El Héroe Senegalés is an intimate portrait of Mouhammed Diof, an undocumented Senegalese migrant living in Bilbao, who leapt into a river to save someone from drowning and catalyzed a political movement.
When I am not is when I exist, I expand, I see.
Refugees share firsthand accounts of arriving in Uganda, being screened and processed at UNHCR distribution centers, then dropped off in the bush with thousands of other refugees and nowhere else to go.
In episode III of the Bidi Bidi podcast we hear seldom heard stories of survival from refugees on the road from Equatoria, South Sudan to Uganda.
When a successful modern dancer leaves New York in the wake of the pandemic, he returns home and experiences a creative reawakening by merging movement, activism, film, and the natural world.
Mavi Veloso’s queer trans language is always in flux, twisting Brazilian Portuguese and English phrases into new contortions that coat the tongue in a queer kind of gloss. Listen as she performs an essay-poem (or something like that). Supplemented by a queer abécédaire.
telluric dreaming is dreaming of, with, and in the earth. they say that to tremble, to let ourselves vibrate, is to co-regulate the body’s frequencies with the earth’s breathing. it is listening to ourselves: the body in relation.
As an introduction to the work of Parwana Amiri, we’re republishing her story, “The Olive Tree and the Old Woman,” and making it available for sale from Publication Studio Guelph.
A figure—a slippery sight like an anaconda—asks permission to enter your pores and touch your marrow, enter the life of your blood that is also the sap of the world. It is a disappearance to be in the veins of the world.