
Dispatch from Puglia
ArtsEverywhere editor, Sidd Joag, joins Free Home University in the summer of 2019 for the making of People of Flour, Salt, and Water.
ArtsEverywhere editor, Sidd Joag, joins Free Home University in the summer of 2019 for the making of People of Flour, Salt, and Water.
An interview with Derrais Carter about Black Revelry, a collection of ekphrastic writing describing Ernie Barnes’ iconic painting, The Sugar Shack.
The film director’s remarks on the guiding principles used to create recent films by Russian art collective Chto Delat.
Journalist and activist Christian Peverieri writes about his experience of community-embeddedness at Free Home University with Casa delle Agriculture.
An annotated timeline of the Zapatista’s 30-year trajectory of resistance and re-existence.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
ZAPATISTA CIVIC PEDAGOGY IN A TIME OF WAR To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as
An exploration of the ethos behind the Russian art collective Chto Delat.
We hope you enjoyed the last set of “staff picks” from The GOAT PoL. In our second edition we’ve got a new set of Reader/Advisor/Editors (RAEs) amplifying texts that they
The term “Yiddish art” could imply essentialist and contentious geopolitical and identitarian meanings of Yiddishness. Instead, Suzana Milevska asks if the Yiddishland Pavilion at the 57th Venice Biennale is one way to embrace the diversity that a diaspora brings to art, culture, and identity.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week. With
On the far southern coast of Oaxaca, the indigenous Ikoots people struggle to maintain their cultural identity and communal practices while fending off the pervasive forces of extractive capitalism.