The fate of an insect that struggles between life and death somewhere in a nook sheltered from humanity is as important as the fate and the future of the revolution.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
An exploration of the ethos behind the Russian art collective Chto Delat.
The term “Yiddish art” could imply essentialist and contentious geopolitical and identitarian meanings of Yiddishness. Instead, Suzana Milevska asks if the Yiddishland Pavilion at the 57th Venice Biennale is one way to embrace the diversity that a diaspora brings to art, culture, and identity.