Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Over at The GOAT PoL, our eight Reader/Advisor/Editors (RAEs) are working with scores of stateless, refugee, and disenfranchised writers, publishing one or two dozen of their new stories every week.
Must the artist struggle in order to create works that move the culture? Writer Ricky Tucker explores this question with Charly Dominguez, NYC artist and Ballroom community organizer.
An introduction to the book and learning process: Chto Delat and Free Home University in resonance with Zapatismo
ArtsEverywhere editor, Sidd Joag, joins Free Home University in the summer of 2019 for the making of People of Flour, Salt, and Water.
An interview with Derrais Carter about Black Revelry, a collection of ekphrastic writing describing Ernie Barnes’ iconic painting, The Sugar Shack.
The film director’s remarks on the guiding principles used to create recent films by Russian art collective Chto Delat.
Journalist and activist Christian Peverieri writes about his experience of community-embeddedness at Free Home University with Casa delle Agriculture.
An annotated timeline of the Zapatista’s 30-year trajectory of resistance and re-existence.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
ZAPATISTA CIVIC PEDAGOGY IN A TIME OF WAR To articulate the past historically does not mean to recognize it ‘the way it really was’ (Ranke). It means to seize hold of a memory as
An exploration of the ethos behind the Russian art collective Chto Delat.
