Silvia Maglioni and Graeme Thomson are filmmakers and artists. Their practice often makes use of cinema to reactivate lost or forgotten archives and histories and to create new modes of collective vision and engagement with contemporary politics. Aside from their film work, for several years they have been developing a research project, ‘common infra/ctions’, forging connections between strategies of unlearning and idiorrhythmic play—which includes the Dark Matter Cinema Tarot and the Centre for Language Unlearning, both of which have become nomadic tools. They’ve collaborated with several collectives around the world.
Two film artists’ scene-by-scene analysis of the learning-film, People of Flour, Salt, and Water.
