Sidd Joag is a visual artist, journalist and producer working on issues closely related to social inequality and human rights, and the managing editor at ArtsEverywhere.
Deep in the interior of Mozambique, Indigenous tribes protect one of the world’s last undisturbed rainforests while contending with corporate extractivism and foreign conservation efforts that place their primordial livelihood in peril.
An insight into America’s “culture wars” using the example of Dave Chappelle to highlight the extant and emerging fault lines of artistic freedom of expression and censorship.
In the redwood forests outside Santa Cruz, author Sidd Joag’s childhood curiosities are awakened when he meets cryptozoological archivist and founder of the Bigfoot Discovery Museum, Michael Rugg, who life’s work leaves him questioning the relevance of Bigfoot’s existence versus the value of celebrating intellectual curiosity.
Amidst a record-breaking national heat wave and second year of rampant wildfires, a group of dancers construct a new form of environmental advocacy in the California redwoods.
While the pandemic’s impact on social, political, and economic structures has been unprecedented, the uncertainty, tension, and collapse that people face on a daily basis is not.
Oaxacan hip hop crew Juchirap has gained acclaim as one of Mexico’s up and coming acts, earning praise for their old-school rhythms and performances in their native Diidxazá (Zapotec) language.
The grisly murders of 15 Iko’ots activists in July 2020 created a wave of backlash that pitted community leaders against one another and threatens to undermine communal governance structures among one of Mexico’s most unintegrated Indigenous groups.
A personal letter to an mentor passed, commemorating her life and the influence she had on generations of artists in New York City.
A Zapotec activist from Juchitán, Oaxaca is organizing an indigenous resistance movement to combat violent land appropriation for wind farms and extractive development projects while facing threats to his life.
Oaxaca’s renowned street art is rooted in the political upheaval and months-long protests that enveloped the city in the summer 2006 and cemented a legacy of subversive, underground public art that continues to thrive today.
In a time of unmediated isolation, loss and heartbreak, perhaps rediscovering our artistic passions and tapping our creative impulses can offer some respite.
In a small, nondescript building on the outskirts of Oaxaca, conceptual artist and accountant Edith Morales has created an experimental urban “milpa” garden to study the ancient system of Mixe agriculture and document Oaxaca’s endemic species of maize for future generations.