Minna Henriksson is the co-editor of Art Workers – Material Conditions and Labour Struggles in Contemporary Art Practice (Helsinki/Tallinn/Stockholm 2015). Henriksson has exhibited her work broadly in international exhibitions, among others in the 3rd Actually, the Dead Are Not Dead, 3rd Bergen Assembly; Stasis – Taking the Stand, 7th Thessaloniki Biennial; Time Is Now, 2nd Wuzhen Contemporary Art Exhibition; Tunnel Vision, 8th Momentum – Nordic Biennial for Contemporary Art; The Lenin Museum in Tampere; History Unfolds in the Swedish History Museum, and at the online platform of Documenta studies in Kassel.
The third edition of GSG Magazine explores the contemporary use of historical narratives and cultural artifacts, and the ideology of heritage and cultural (re)production to reveal and resist forms of inequality and violence.
