Breathing 2026: Microorganisms
Artist Zhao Rongjie's filmed documentation of her "Microorganisms" project, where she cultivates, cares for, and creates art from bacterial cellulose.
Artist Zhao Rongjie's filmed documentation of her "Microorganisms" project, where she cultivates, cares for, and creates art from bacterial cellulose.
ArtsEverywhere is a platform for artistic experimentation and exploration of the fault lines of modern society.
Artistic Invitations for Relational Repair
A collection of artistic works that show the broad range of contemporary practices in the world today.
A ground-breaking blend of conceptual art, documentary film, and ethnographic research from the mountains of southwest China by conceptual artist Zhao Rongjie.
This series holds a collection of articles by artists and writers who share the ways in which their practices, communities, and experiences engage with the complex and contradictory notion of care.
A series by artists whose work travels between physical, social, and metabolic bodies, to create intimate art-life ritual responses to the text Co-sensing with Radical Tenderness.
Artist Zhao Rongjie’s filmed documentation of her “Microorganisms” project, where she cultivates, cares for, and creates art from bacterial cellulose.
Watch a complete Korean pansori concert by master vocalist Il-Dong Bae and percussionist Dong-Won Kim.
A short film by Chinese artist Zhao Rongjie documenting the wooden “houses” she carved to house mushroom spore prints.
Reactivating relational capacities through eco-somatic voice and listening
This set of exercises is an invitation to dance with the unknown; with the mystery inside you, and between you and everything.
Learning to listen to ourselves, land, and spaces in between.
Through the experience of dreaming, we come closer to the planetary metabolism, connecting with an ongoing flow of mutation that allows us to feel and participate in the shapeshifting of existence…
Sustaining life by surrendering resistance
Can musical improvisation teach us to think otherwise? Can it liberate us from pre-digested ways of seeing (and thinking about) the world? And how do we curate spaces that fuel these experiments in connection, possibility, and care?
Plants as Allies, Ancestors, and Guides – A Vigil I am writing to you from Berlin, a city named after its swampy origins: Berl in Proto-Slavic means swamp, and the
I have an urge to see differently, to train my eyes to perceive otherwise and I’m querying photography—the tool we have invented to see and memorise in greater details—to accompany
skin ————– kin ——— kinetic _________a becoming_________ My initial priority, when I started externalising my gender troubles, was my skin. I yearned to transform it, to shift its tone and
